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Works:
In
Catalonia:
In
Barcelona:
The prodigal son (1880)
Roman patrician
(1880)
Ramon Berenguer
el Gran
(Ramon Berenguer Square 1880)
Recompense
(Frieze on Triumph
Arch 1888)
Relief's on Columbus Monument
(Five
relief's of the eight existing ones)
Columbus appearing to Kings
Columbus in the Council of Salamanca
The kings accepting his project
Disembarkation of Columbus in Barcelona (1888)
Florentine Page
(1890)
Modesty (Museum of Modern Art 1891)
Virgin of Roser
(1892)
The first communion (Museum of
Modern Art 1897)
The man
guiding the force (1899)
Desconsol
(Distress -
Ciutadella Park 1907)
The Idyll
Saint Josef (Tympanum of the Condal
School, Amadeu Vives street 1907)
Monument to Dr. Robert (Tetuàn
square 1903-1910)
Virgin (Chapel Jesus and Maria -
Fabra i Puig Promenade 1910)
Verge de la Mercé (Virgin
of Favor - Reproduction of a relief in the Church of
Pompeia - Diagonal Avenue / Riera S. Miquel 1910)
Divine shepherd
(Reproduction of a relief in the
Church of Pompeia - Diagonal Avenue / Riera S. Miquel 1910)
The ascent of Maria
(Reproduction of
a relief in the
Church of Pompeia - Diagonal Avenue / Riera S. Miquel 1910)
Saint Francis
(High-relief on
Pompeia Church Façade - Avda. Diagonal / Riera S. Miquel 1910)
Catalonia and sciences
(1912)
The descent from the cross
(Destroyed during civil war 1936/39 -
1912)
Figure of Woman (1912)
Figure of Woman (1913)
Statue of
Casañas Cardinal
(Chapel of Saint Josef Oriol into the Cathedral
1913)
Virgin with boy and other figures
(Bas-relief 1913)
Youth or Water nymph
(Museum of Modern Art 1913)
The Blacksmith
(Catalunya Square,
replica in the Trade Exhibition Area 1930)
Love to the
childhood (Park of Montjuïc - Escola
del Bosc 1914)
La Purísima
Concepció (The
Virgin - Church of the Sagrada
Família - Holy Family - 1915) Holy Heart
(Church of the Sagrada Família - Holy Family -1915)
Virgin (School of the
Holy Heart in Sarrià 1915)
Base of the monument to Rafael
de Casanova (Ronda
Sant Pere 1916)
Saint George
(Honor staircase of City hall 1916)
Insomnia
(Private Collection
1917)
Picture of Carles G. Vidiella (Palau
Hall of Music 1917)
Small statue (Museum of Modern Art
1917)
The burial of Christ
(Cloister Chapel
of Cathedral 1920)
Sant Jordi (1920)
The
source (Private Collection 1921)
Sant Jordi
(Saint George -
Esplanada de l'oest Park of Montjuïc 1924)
Maternity (Private
Collection 1924)
Kneel down Woman (1924)
Standing up Figure (1924)
Seated Figure (1924)
Shepherd (1924)
Adolescent
(Private
Collection 1924)
The beauty
(Dante Square - Montjuïc 1924)
Youth (Private Collection 1924)
Nude of seated woman
(1924)
Nude of seated woman (1925)
Holy Heart (1925)
Holy Heart (Relief 1925)
Monument to the Martyrs of
Independence
(In collaboration with V. Navarro i Romero - Garriga i Bachs square)
Meditation (1925)
Head of boy
(Private Collection
1927)
Portrait of Doctor
Ferràn (Private
Collection 1929)
Statue B
(Pedralbes Palace 1929)
Woman (Park of Montjuïc -
Stairs to National Palace 1929)
Woman (Park of Montjuïc -
Cascades square 1929)
Saint George (City
hall 1929)
The Bath (Modern
Art Museum 1930)
Maternity (1930)
The son
(Private 1930)
The flowers (Stairs of the Park
of Montjuïc 1930)
Cordèlia (Private Collection 1930)
Lassitude (1930)
Saint Martin
(1930)
The Student
In Montserrat:
Consumatum est (1896)
Figure of woman
(Monumental Rosary - Mystery of glory 1903)
Tomb
Figure
(monumental Rosary - Mystery of glory 1903)
Christ raised again (in collaboration
with Gaudí - monumental Rosary 1914)
In Sabadell:
The Virtue (Caixa d'estalvis
de Sabadell Savings Bank 1910)
In Sant Julià
de Vilatorta:
Jesus and the children (Relief in the
tympanum of
the Chapel of the School of orphans 1904)
In Tarragona:
The
kiss of Judas (Cathedral 1929)
In Terrassa:
Portrait of an
industrialist
(Museum
Vallparadís 1892)
Monument to Bartomeu
Amat
(Gardens of Industrial School 1909)
In Vic:
Seated woman
(Monument
to the
founder of the Monastery of Carmelites
1914)
In Vilafranca del
Penedès:
Saint Sepulchre (Saint
Mary Basilica Crypt 1916)
Funerary
sculpture:
Tombs in
Barcelona
Angel (Torres
tomb - Southwest Cemetery 1900)
Angel (Alomar-Estrany
tomb - Southwest Cemetery 1900)
Resignation
(Rialp tomb 1901)
Desconsol
(Distress - A dressed variant - M. Casas de Vilanova
tomb -
Southwest Cemetery 1903)
Grief and resignation
(Southwest Cemetery 1903)
Angel
(Campesol i Rosell
tomb - Southwest Cemetery)
Woman
(Horta Cemetery 1904)
Angel (Llopart
tomb - Southwest Cemetery 1905)
Sant Jordi (M. Granell
tomb Southwest Cemetery 1928)
Tombs
in Arenys de Mar (Maresme)
Mundet tomb (1901)
Massaguer tomb
Tomb in Masnou
(Maresme)
The faith comforting the
grief
(Pere Grau tomb 1901)
Tomb in Roses
(Alt Empordà)
A Pray
(1903)
Tombs in Sitges
Dr. Robert tomb (1903)
Woman
(Cros i Juliana tomb 1912)
Out
of Catalonia:
Saint Nicholas and the
fisherman
(Tympanum
of S. Nicholas Church - Bilbao 1897)
Tomb in
Portugalete
(Vizcaya):
Crucified Christ
(Manuel Calvo Pantheon 1911)
Chopitea Tomb
(Buenos Aires Cemetery 1927)
The fountain (Public
gardens in Buenos Aires 1929)
The
Angel (Comillas
Cemetery Cantabria - Spain -)
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Life:
Llimona was the greatest of all the Catalonian Art Nouveau
(Modernista) sculptors.
Born in Barcelona in the year 1864.
He trained at the Llotja of Barcelona, in the atelier of the
brothers Venanci and
Agapit Vallmitjana, and also under
the master Rosend Nobas.
In 1880 he won the "Fortuny Pension" (an award granted by the
Barcelona City Council in memory of the great Catalonian painter
Marià Fortuny, to help artists to improve their capabilities), which
enabled him to study in Rome. During his stay in Italy, he received
the influence of the Florentine Renaissance sculpture and produced
two obligatory works: the "Roman Patrician" and the equestrian "Ramon Berenguer
el Gran".
His style is characterized by a naturalistic idealism imbued with
the picturesque.
Infiesta divides the work of Llimona into five periods:
|
Period |
Denomination |
Characteristics |
|
1864
- 1895 |
Learning |
Works
in Academic style |
|
1895
- 1909 |
Art Nouveau |
Female
figures, tombs, dressed maidens |
|
1909
- 1913 |
Transition |
Religious
statues, virgins, Christ's |
|
1913
- 1925 |
Full
maturity |
Heroes
(Saint George, The Blacksmith), nude maidens |
|
1925
- 1934 |
Serenity |
Classic
female nudes |
His earliest
works were Academic in style, and were typically historical and
allegorical in their choice of subject, including famous national
figures such as the already mentioned "Ramon Berenguer el Gran" (a Count
of Barcelona - 1890), the multi-figure frieze on Barcelona's Arc de
Triomf (Triumphal Arch) representing "Recompense"
(1887), and the marble figure of "Modesty" (1891).
He founded jointly with his brother, the painter
Joan Llimona, the "Centre Artístic de
Sant Lluc" (Artistic Center of Saint Luke), a Catalonian artistic
religious association (both brothers were deeply religious) - at present
a prestigious institution in artistic circles in Barcelona.
Later, his style veered fully towards the Art Nouveau ( Modernista), his
models and influences deriving from the work of Rodin and Meunier.
"The first communion" (1897), the famous "Desconsol"
(Distress - 1907), which won the Prize of Honor of the International
Exposition of Fine Arts in Barcelona that same year, and now located at
present in front of the Parliament of Catalonia, and "The Idyll", belong
to this period.
From 1900 he began to sculpt his famous female nudes, each of which are
celebrated for their great elegance, veiled eroticism and smooth
melancholy, characteristics that he developed as one of the most
noticeable elements of his work.
In 1914 he created his impressive "Christ Resurrected" for the
monumental Rosary of Montserrat in collaboration with Gaudí.
Llimona combines tenderness and virile force in works such as "The
student" - one of the master works of Catalonian sculpture, and in the "Monument
to Doctor Robert" in Tetuàn square, Barcelona, and also in the
equestrian statue of Sant Jordi (Saint George) in the city's Park of
Montjuïc.
Llimona's genius was also declared in other genres of his art, such as
in his designs for medals and funerary sculpture; his work in the latter
category including figurative sculpture for tombs in the Southwest
Cemetery of Barcelona and the cemeteries of Arenys de Mar,
Sitges and others within Catalonia
and elsewhere in Spain. As well as his work in Barcelona and other towns
in Catalonia, he exhibited his work in Madrid, Brussels, Paris and
Buenos Aires and Rosario in Argentina.
Llimona was the President of the "Junta de Museus de Barcelona"
(Barcelona Museums Council) from 1918 to 1924, and again from 1931 until
his death in 1934.
Llimona was decorated by the governments of France and Italy, and was
the first person to receive the Gold Medal of the city of Barcelona in
1932, in recognition of his extraordinary work in the development of
museums activity.
Josep Llimona i Bruguera, died in Barcelona in 1934.
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Images:
Funerary sculpture
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| Cemetery
of Arenys de Mar:
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Cemetery of Sitges: |
|
Massaguer tomb |
Mundet tomb |
Two views of R. Camps
tomb |
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