This building was only a part of the ensemble designed by Buigues i Monravà for the Spa. The ensemble of the old buildings was really impressive. Diverse graphic testimonies of this magnificence exist that we will try to show further on.

Building projected by the Master of works (old architects title) Josep Deulofeu i Floriach, attributed also to Pere Quintana i Barrera, built in the year 1921.
It is a three bodies house (the corner and two lateral symmetrical façades) in a corner .
The ground floor recently modified, has lost some of its more interesting decorative elements.
The first floor has a small hexagonal gallery covered by a green colour glazed ceramics dome with ensembles of three windows with arched balconies in each side, with central banisters of iron forged. The windows are separated by small columns. The central body concludes with a Catalonian roof with little balconies and small pediments alternated.
The second plant repeats the drawing of the first one except with respect to the gallery. The windows of the lateral bodies, four to each side and flat, are also arched.
All the openings are surrounded by artificial stone soffits of artificial stone giving them a beautiful aspect. 

This is a family house, with a rectangular plant and surrounded by a garden, projected by Ramon Vinyals i Guitart (ground floor) in 1914 and Joan Vinyals i Solà (first and upper floor) in 1928. Symmetrical main facade, with main door in Arabian arch, with alabaster columns following the style of Arabian jambs and capitals. On the arch there is an arabesque and floral decoration in ceramics and flanked by twins windows covered with a Moorish arch and with a mullion (small column of caliphal Arabian style), in each of lateral extremes are other simple windows of the same style.
In the first floor there is a central window of three openings, with two mullions in Arabian arch and lateral windows also of Arabian style.
The house has a covered with Arabian tile to four sides with winger.
On the right side there is a turret emerging from the roof culminated with small battlements. This turret was initially concluded by an Arabian dome.
The house is also known like Tower of the Germans, because its initial owner was the German one Otto Streitberger.

Only the outsides have an architectural interest.

House of typical Art Nouveau style with façade in angle to two streets.
In the angle of the two façades, we find in the upper floor a small hexagonal gallery with stepped windows culminated in false battlements also stepped combining its drawing with the decoration that crown a triangular pediment of Nordic style resolved with notable elegance.
The two balconies of the upper floor, have iron forged banisters, as well as the lower part of the windows of the ground floor.
The door, in a very simple Art Nouveau drawing, combines with the decoration of the windows of the same level.

Only the outside can be seen.

Simple house of two floors in a corner, with Art Nouveau elements.
In the ground floor the square openings have on top lower arches as a decorative element. Exteriorly, the upper floor is separated from the lower one by a cornice.
The coronation of the building is done with arches, higher the centre one in a side and by arches with a triangular pediment in the façade to the other street.

Not interesting interior, only the outside can be seen.

The main building is a big house with a square plant in neoclassical style dating from the 19th century. This it is not therefore the building we are interested in.
The interesting buildings because its style, is an ensemble of small constructions annexes situated behind the main house facing the Mare of Déu del Carme street.
This ensemble was projected as the main house dependences (garage, store and zone of services). In fact it are three semidetached bodies.
The first one is a building with a ground floor and a first floor and a rectangular plant, surrounded by a stone base, with a gate of garage in arch concluded with brick breaks upper water and a geminate window on the first floor, framed with brick in flat arch. On the lateral facades there are three windows by floor, framed in brick forming a triangular arch. Those of the upper plant are equal to the geminate one of the low plant. The cover is to four sides.
The second building is a long gallery with only a ground floor covered by a Catalan terrace, with five openings in each façade (three big and two small alternated windows) framed in brick and a powerful cornice crowned by the banister of the terrace.
At the end of this second building, it is a small tower with the same characteristics of the ensemble, concluded with a banister and a metallic pinnacle.
Besides, there is an interesting bower inside the great garden of the property. This bower of quadrangular plant and of cover to four sides, has an outstanding body of cover with lateral sides, partitions of briar and a great half point arch, the ensemble being sustained by a metallic structure.
All the buildings presents elements of Art Nouveau style as the forms of windows, the coronation and especially the tower that recalls another one built by Puig i Cadafalch in the Factory Casaramona in Lleida street of Barcelona.

Only the outside of the ensemble can be seen.

This house, built in the year 1949 homonymous of that of Barcelona (projected by Puig i Cadafalch), has nothing to do with that, so much by its appearance, as evidently by its size. This is the last building Art Nouveau style built in Caldes de Malavella.
This is a very small one-family house, but of spectacular totally symmetrical exterior decoration.
The half point arches of door and windows and in the crown small columns  crowned by pinnacles.
It is a typical construction of the very last Art Nouveau period, built to be rented to the holidaymakers.

The present condition of the building is good. Only the outside can be seen.